Swiss Book Prize – Are There Accounts Behind This “Collision Act”? – culture

pull with swipe

So far: Kracht has pulled his novel “Eurotrash” from the shortlist for the Swiss Book Prize. The sponsoring association announced this in a brief media statement on Tuesday.

Kracht justified his decision by the fact that he had already won the Swiss Book Prize in 2016, and after withdrawing, he “would like to give the other nominees a better chance of winning the prize”.

Sponsorship gesture or strategic account?

It’s hard to believe Kracht’s hyperbole gesture. Especially since the spotlight is now entirely on him, instead of the remaining four candidates he would like to give “better chances”.

Does he want to clear the way for Germany’s most famous book prize, of which he is also on its shortlist, which was announced by chance shortly after he withdrew from the Swiss Book Prize?

In any case, Kracht is sure to grab attention and headlines, whether for strategic accounts or eccentric staging.

Between posture and dexterity

Christian Kracht is considered a master of the approximate and the paradoxical. In an interview with Die Welt, he said of “Fiber Land” that the narrative situation was “very insecure”.

The motives behind Kracht’s withdrawal can only be assessed with certainty: neither Christian Kracht nor the Kiepenheuer & Witsch publishing staff responsible for Kracht could be reached for comment.

The action combines the portrait of the author between dazzling poses and literary prowess and leaves a pleasant aftertaste. Even with the jury surprised: Speculation isn’t his job, but an earlier announcement would certainly be fairer, says jury member Daniel Graf in an interview. Subsequent nominations are excluded.